My Movie Poster Collection: Odds and Ends

These are the odd-sized posters in my collection. None of them conform to the American standard of 27 X 41 inches (or 40 inches, post 80s). They are all either half-sheets (22 X 28 inches), inserts (11 X 17 inches), TV-related posters, or odd-sized indie or foreign posters. I haven't measured each piece, as of this posting, but will do so soon. As far as I can tell, this is the first

Saul Bass

Saul Bass (1920-1996) is best known as the graphic designer who pioneered not only the look of both movie posters and their opening credits sequences, but also the sleek appearance of the corporate logos that have become such a part of our lives (and, yes, you can groan if you want). In the 50s and 60s, it became a film critic cliche to state that his credits sequences alone were worth the price

Film #72: It's A Mad, Mad, Mad, Mad World

Throughout the 1950s and 60s, director/producer Stanley Kramer was well-known for his more socially-conscious brand of moviemaking, signified by heady "important" films like Judgment at Nuremburg, The Defiant Ones, Inherit the Wind, On The Beach and The Caine Mutiny. However, in 1962, he was itching to do another movie with his favorite leading actor Spencer Tracy. But Tracy was fighting a long